Sequential Images - A story
Duane Michals began making sequences of narrative pictures in the late 1960s, imagining metaphysical topics like memory, desire, and mortality. In the opening to his 1976 book, Real Dreams, he remarked, "I believe in the imagination." "It's immensely more essential what I can't see than what I can." Michals uses double exposure to conjure a ghostly apparition in The Spirit Leaves the Body, resurrecting the ethereal iconography of nineteenth-century spirit photography in a new lyrical setting.
Those images, in my opinion, represents the relationship between something seen and something unseen. It is mysterious. In response to Michals' art, I went to the park to find my own inspiration. I think observing nature often shows us something that is not visible at first glance, in particular small animals and plants. I was not surprised this time either.
Met Museum Art (2021) Available at: https://www.metmuseum.org/art/collection/search/294772
(Accessed: 12 October 2021)
Okay you should originally have taken many more images and have a contact sheet that shows these. You said 'standard settings' I presume you meant 'auto' you should have checked the properties and settings o that you understood the settings used. The final images you have put together and displayed. You need to add much better research and that show s more understanding on the work you are looking at
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